建筑呈圆形，没有正面或背面，可以从各个方向自由探索。

 

克尔斯滕·基泽尔

 

21世纪当代艺术博物馆位于日本北海岸的国家历史中心之一金泽的中心。该建筑包含社区聚会空间、图书馆、演讲厅、儿童工作室和博物馆空间。

 

圆形建筑内的不同比例的房间——基于一系列岛屿或城市空间的模型——代表了偏远地区分散和多中心主义的影响。

 

沿着外立面的弧形玻璃向内走，可以平滑地展开场地的 360 度全景。

 

四个全玻璃内部庭院，每一个都独具特色，为中心提供充足的日光，并在公共区和博物馆区之间形成流畅的边界。

 

展区被分割成无数嵌入流通空间的画廊；这种方法为博物馆路线提供了灵活性，同时也为画廊空间提供了特殊性。

 

流通空间也被用作额外的展览区。

 

画廊分散的位置提供了从外围到中心的视野以及贯穿整个建筑深度的视野。透明的走廊鼓励“共存”，个人在与他人共享个人空间的同时保持自主。

 

画廊空间的比例和光照条件各不相同——从明亮的日光穿过玻璃天花板（可能有遮光）到没有自然光源的空间。它们的高度从 4 米到 12 米不等。

 

允许参观者决定他们穿过博物馆的路线的设计，结合可以适应各种媒体的灵活画廊室，保证了在空间中举办的节目的跨界多样性。所有这些元素背后的意图是激发游客的新兴意识。

 

为了休息片刻，室内有一排 SANAA 设计的“Rabbit”椅子，外面有一圈 SANAA 设计的“Drop”椅子。

 

英文版

Circular in form, the building has no front or back, leaving it free to be explored from all directions.

 

Af Kirsten Kiser

 

The 21st Century Museum of Contemporary Art is located in the center of Kanazawa, one of the nation’s historical centers, on the north coast of Japan. The building contains community gathering spaces, a library, lecture hall, children’s workshop, and museum spaces.

 

The variously proportioned rooms placed inside the circular building — a model based on a chain of islands or an urban space — represent the effects of decentralization and poly-centrism in remote regions.

 

A walk inside along the curved glass of the exterior facade smoothly unfolds a 360-degree panorama of the site.

 

Four fully glazed internal courtyards, each unique in character, provide ample daylight to the center and a fluid border between public zone and museum zone.

 

The exhibition area is fragmented into numerous galleries embedded in the circulation space; this approach offers flexibility for the museum routing and, at the same time, specificity to the gallery spaces.

 

The circulation spaces are also used as additional exhibition areas.

 

The scattered location of the galleries provide transparency with views from the periphery into the center, and vistas through the entire depth of the building. The transparent corridors encourage “coexistence”, where individuals remain autonomous while sharing personal space with others.

 

Gallery spaces are of various proportions and light conditions — from bright daylight through glass ceilings (with a black-out possibility) to spaces with no natural light source. Their heights range from 4 to 12 meters.

 

A design that allows the visitor to decide on their route through the museum, combined with flexible gallery rooms that can adapt to every type of media, **rantee the trans-border diversity of the programs held in the space. The intention behind all these elements is to stimulate the visitor’s emerging awareness.

 

For moments of rest there is a row of SANAA-designed “Rabbit” chairs indoors, and a circle of SANAA-designed “Drop” chairs outside.